Acta Artis Academica 2017

ACTA ARTIS ACADEMICA 2017
Painting as a story

Editorial: Janka Hradilová a David Hradil
Vydala Akademie výtvarných umění v Praze
ISBN: 978-80-87108-75-8
500,- Kč bez DPH (DPH 10%)


Sborník obsahuje příspěvky z 6. mezioborové konference ALMA s názvem "Painting as a story", která se konala ve dnech 31. 5 – 3. 6. 2017 v Augustiniánském opatství v Brně. Příspěvky jsou otištěny pouze v anglickém jazyce.
Sborník byl vydán díky finanční podpoře Státního fondu kultury České republiky a institucionární podpory Akademie výtvarných umění v Praze.

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Obsah
Janka Hradilová and David Hradil: Editorial – Painting as a story
 

Session 1 / Degradation phenomena
Ermanno Avranovich Clerici, Steven De Meyer, Geert Van der Snickt, Koen Janssens: Synchroton X-ray powder diffraction study of lead white oxidation by sodium hypochloride

Steven De Meyer, Frederic Vanmeert, Koen Janssens, Patrick Storme: A mobile scanner for XRPD-imaging of paintings in transmission and reflection geometry

Katarína Haberová, Milena Reháková, Viera Jančovičová, Danica Stojkovičová: The study of the solubility of aged and unaged paint glazes

Session 2 / Unclear past I. Pre-modern and modern era
Janka Hradilová, Eva Bezúchová, David Hradil, Kateřina Šídová: The origin issue of the head of John the Baptist from Tajov

Annegret Fuhrmann, Christoph Herm: The cuccina cycle by Paolo Veronese in the old masters Picture gallery Dresden – investigationa in painting technique, later additions, and pigment alterations

Ágnes Kuna: Cosa Rara – restoration of a 16th century Veronese painting on stone

Igor Fogaš, Aleksandra Marković, Marie Zmydlená, Janka Hradilová, Štěpán Vácha, Martin Čihalík, Pavel Proks: Revelations on the painting the discovery of the holy cross by German painter Joachim von Sandrart

Janka Hradilová, Hana Kližanová, Miroslav Bezák, Katarína Holcová, Petr Bezdička: Rebecca and Eliezera at the well – amysterious oil painting from the historical museum of the Slovak National Museum at the Bratislava castle

Šárka Radostová, Pavla Hlušičková, Radovan Chmel: The case study of dual identity

Martin Šugár: Apolonio Domenichini and the two unknown venetian vedute in Nove Zámky – restoration,
material-technological analysis and the attempt of attribution


Session 2 / Unclear past II. Ancient history and Middles Ages
Michal Cihla, Martin Trefný, Petr Drda, David Hradil, Janka Hradilová: Non-invasive material and traceological research of the stone head from celtic settlement Závist near Prague

Antonina Chaban, Rita Deiana, Matteo Parisatto, Yotam Asscher: Analysis of on-site multispectral images: A case study of degraded wall paintings in Sarno baths, Pompeii

Michaela Rychlá Navrátilová: Conservation research and reference conservation of medieval wall paintings in the church of St. Bartholomew in Pošná

David Zeman, Renata Tišlová: Recently discovered medieval wall paintings at Kunštát chateau, Czech republic

Session 3 / Unclear future. Conservations challenges
Dorota Białek-Kostecka, Anna Forczek-Sajdak, Zofia Kaszowska, Karolina Molga,Justyna Skrzelowska: Wall painting consolidation in the polish conservation practice. Needs and challenges

Katarína Čížová, Katarína Vizárová, Milena Reháková, Aleš Ház, Nina Lalíková, Patrícia Klöcklerová, Ružena Škuciová, Edmund Kele, Jozef Tihányi: Wax figure from the Červený Kameň Castle Museum – research and material study

Konstantinos Stoupathis: The role of conservation as an artistic process: the case study of episodes in matter detached walls of R. Papaspyrou…

Magdalena Kracík Štorkánová, Ivona Neužilová Kociánová: Specific examples of restoration and rescue of glass mosaic monuments from the turn of the 19th and 20th centuries, realized in the Innsbruck atelier by Albert Neuhaser`s company (overview paper)

Marcin Kozarzewski: The case study of multidisciplinary project of conservation – restoration of the complex of St. Mary’s church at Malbork castle in Poland (2014 -2016) (overview paper)

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